æon teunissen composes through a modular system, (…), organs, afterthought, aftertaste, organs, (…), wherein arrangements of space, sound and material are assembled within a neurodivergent rendering, (…), glistening bowling lanes, gossamer tinkle, (…), fostering an alternative grammar resisting structures of comprehension, through which a mood becomes a vascular system, (…), a tearful bourdon, (...), petroleum jelly trickling down to the plexus in bloom, (…), here the musicality of material is understood as a shifting taxonomy, where resonance, presence and attention branches out across multiple plateaus at once, (…), cobalt (blue), from sequence to sequins, byzantium purple, (…), regulation resurfaces across the works as a modular choir, which do not seek singular resolution, (…), throbbing, forest of pipes, thumping, (…), seeking their livelihood between grammar, atmosphere and organisation, (…);